Tuesday, 22 December 2009

Advice to tangueras

In a previous post I praised the tangueras who are patient and taking a long-term view of tango, as a way of cultivating a strong pool of male dancers in their community. Remembering, of course, that the ladies also have to work hard on their own skills, too, so that the dance will be mutually enjoyable.

As well as those all important techniques to develop, tangueras have so many other things things on their minds, such as How to get more dances at a milonga; What is their role in a dance which appears to be male-dominated; and dare I say it, What to wear?

Tangocherie and Maleva share their thoughts, often quite humorously, on these and other tango topics. So why should I reinvent the wheel, when their advice is gold? Thanks Keith Elshaw, for your thoughts, too!

The lady's role is a significant one in what appears to be a male-dominated dance:
There are certainly some effective ways to present yourself at a milonga, and there are some others which I would not recommend. Take a look:
What do you think?
Feel free to share any favourite links on these topics.

Pat

Wednesday, 16 December 2009

Celebrate a year of tango in Adelaide


Comme il faut

Saturday 19 December
8pm - 12:30am

Great music, elegant venue & special prizes

Entry $10
Drinks available at the bar

Mt Osmond Golf Club

Wednesday, 9 December 2009

Milongas - 2010

Expect to see 2 weekend Tango Salón milongas each month from January 2010.

The first Sunday afternoon of each month will be a regular feature – mainly La Baldosa at the Colonel Light Hotel in the city,



while Comme il faut at the Mount Osmond Golf Club will mainly occupy the third weekend - on either Saturday night or Sunday afternoon.



Due to venue availability, there will be a few weekends when the two venues will be interchanged, but this will be clearly advertised on this website and its calendar.

Other variations to the listed program will no doubt occur due to our annual retreat to Buenos Aires and possible commitments at interstate tango functions, however any changes will be advertised well in advance.

January
Sunday 10th ...... 4-8pm ..... La Baldosa
Saturday 23rd ... 8pm-12am ... Comme il faut
February
Sunday 7th ........ 4-8pm ..... La Baldosa
Sunday 21st ....... 4-8pm .... Comme il faut
March
Sunday 7th ......... 4-8pm .... Comme il faut
Sunday 21st ........ 4-8pm .... La Baldosa
April
Sunday 4th ......... 4-8pm .... La Baldosa
Saturday 17th ..... 8pm-12am .. Comme il faut
May
Sunday 2nd ......... 4-8pm .... La Baldosa
Sunday 16th ........ 4-8pm .... Comme il faut
June
Sunday 6th .......... 4-8pm .... La Baldosa
Sunday 20th ........ 4-8pm .... Comme il faut
July
Sunday 4th ........... 4-8pm ..... La Baldosa
Sunday 18th ......... 4-8pm ..... Comme il faut
August
Sunday 1st ............. 4-8pm ...... La Baldosa
Sunday 15th .......... 4-8pm ....... Comme il faut
September
Sunday 5th ............ 4-8pm ....... Comme il faut
Sunday 19th .......... 4-8pm ........ La Baldosa
October
Sunday 3rd ............ 4-8pm ....... Comme il faut
Sunday 17th ........... 4-8pm ....... La Baldosa
November
Sunday 7th ............. 4-8pm ....... La Baldosa
Saturday 20th ........ 8pm-12am ..... Comme il faut
December
Sunday 5th .............. 4-8pm ...... La Baldosa
Saturday 18th .......... 8pm-12am .... Comme il faut

Tuesday, 1 December 2009

Tangueras investing in the long term

Let's face it, men take a lead role in this improvised partner dance. As a consequence, they have to master a lot of skills before they can begin to dance with confidence and improvise effectively. In broad terms, they must develop a high level of body awareness & control, navigational skills and musicality - not something you pick up in just a few lessons. The men who achieve this are focussed and determined.

Despite this, there are women in the tango scene who are heard to complain that they ....
  • want to dance more often at milongas, and preferably with the more experienced dancers, or
  • expect their partners to employ a variety of showy figures to make their dance more enjoyable, or
  • only enjoy dancing with men who lead well and respond sensitively to the music.

Men, on the other hand, are known to lament that they ....

  • fear that their dance partners will become bored with their limited repertoire of figures, or
  • lack the confidence to dance in the milonga, because of the challenges of navigation and being watched by others, or
  • need their partners to be more balanced, controlled and patient, rather than anticipating.

Sound familiar? Does this apply to your tango community?

Speaking from a woman's perspective, I'd like to think that wise tangueras are patient - they are, after all, mostly in it for the long haul. They know that a leader needs a lot of time and practice to develop funfamental skills, as well as the confidence to dance well with them in the milonga. They also realise that their own road is a long one too. For a woman in tango, responding with sensitivity, good musicality, skill and confidence requires hours of focussed practice as well.

Basically, these ladies understand that it's vital to learn to walk before trying to run. So they don't expect to be entertained with elaborate performance figures. They have long since realised that trying get them to jump through these hoops will only lead men to throwing in the towel altogether (and where would that leave the ladies?), or see them wrestling with those figures (and their partners) because they lack the necessary foundations.

On closer inspection, those patient and wise tangueras need not be the selfless creatures they seem. They're strategic & far-sighted, and are working towards developing the local pool of competent and confident male dancers, who will bring them hours of pleasure on the dance-floor for years to come.

Pat

Tuesday, 24 November 2009

Stories from the barrio

A while ago, some rousing music by Anibal Troilo was playing at a milonga, when an argentine fellow asked if I knew what the tango was about. He'd grown up with tangos playing at home, so he knew all the words. This piece was called Una Carta (a letter). At that stage my Spanish was not good enough to understand the lyrics, so he enlightened me: A man is writing to his mother from prison, asking if it's true that his wife has found another man. Only then did I understand the energy in the music. It reflected his frustration, pain and anger. Since then, dancing to this tango has been a totally different experience for me.

And so it is with other tangos, valses and milongas. Fundamentally, most are stories set in a working class background. Often the poetry of the letras (lyrics) is exquisite and multi-layered. On top of that, the emotional impact of their universal themes is amplified by superb singers and the music played by great tango orchestras. So nowadays I make a point of finding out the meaning of my favourites. To help with this, there are even a few websites with some translations in English.

Here are a few gems to read, listen to and view:

In Al Compas de un tango the singer wisely advises us to go dancing in the milonga in order to forget the painful demise of a relationship (Note how the two singers evoke somewhat different feelings), while El encopao seeks solace in the bottle. Some pitfalls of machismo feature in Gloria and Patotero sentimental (I found a stunning video of this one, too). Suerte loca deals with gambling, while Volver and Adios arrabal remind us of the powerful influence of one's past.

Do you listen to the lyrics? What are your favourites?

Pat.

Wednesday, 18 November 2009

Comme il faut - this Saturday night!


Saturday 21 November
8pm - midnight

At the elegant Mt Osmond Golf Club overlooking the twinkling lights of Adelaide

Music: mainly Golden Age, with a few surprises!

Entry $10

Drinks available at the bar.

PS. Head to the gallery for photos from Sunday of our new milonga, La Baldosa.